11. října 2022

Facts, Fiction and Description: A Fall of Moondust

 Výběr slov je pro překlad stěžejní - nicméně především vzájemný vztah zvolených výrazů rozhoduje o věrnosti překladu, o jeho čtivosti, sdělnosti...

Vyhledejte v následujícím textu zajímavé dvojice přídavného a podstatného jména (e.g. a jagged line)  a pokuste se je - izolované - přeložit několika různými způsoby. Hledejte zajímavé kombinace, přirozené i méně vhodné. Sdílejte své návrhy v komentáři.



Arthur C. Clarke

A Fall of Moondust

Chapter 2

Ahead of “Selene”, the horizon was no longer a perfect, unbroken arc; a jagged line of mountains had risen above the edge of the Moon. As the cruiser raced toward them, they seemed to climb slowly up the sky, as if lifted upon some gigantic elevator.

"The Mountains of Inaccessibility," announced Miss Wilkins. "So called because they're entirely surrounded by the Sea. You'll notice, too, that they're much steeper than most lunar mountains."

She did not labor this, since it was an unfortunate fact that the majority of lunar peaks were a severe disappointment. The huge craters which looked so impressive on photographs taken from Earth turned out upon close inspection to be gently rolling hills, their relief grossly exaggerated by the shadows they cast at dawn and sunset. There was not a single lunar crater whose ramparts soared as abruptly as the streets of San Francisco, and there were very few that could provide a serious ohstacle to a determined cyclist. No one would have guessed this, however, from the publications of the Tourist Commission, which featured only the most spectacular cliffs and canyons, photographed from carefully chosen vantage points.

"They've never been thoroughly explored, even now," Miss Wilkins continued. "Last year we took a party of geologists there, and landed them on that promontory but they were only able to go a few kilometers into the interior. So there may be “anything” up in those hills; we simply don't know."

Good for Sue, Pat told himself; she was a first-rate guide, and knew what to leave to the imagination and what to explain in detail. She had an easy relaxed tone, with no trace of that fatal singsong that was the occupational disease of so many professional guides. And she had mastered her subject thoroughly; it was very rare for her to be asked a question that she could not answer. Altogether, she was a formidable young lady, and though she often figured in Pat's erotic reveries, he was secretly a little afraid of her.

The passengers stared with fascinated wonder at the approaching peaks. On the still-mysterious Moon, here was a deeper mystery. Rising like an island out of the strange sea that guarded them, the Mountains of Inaccessibility remained a challenge for the next generation of explorers. Despite their name, it was now easy enough to reach them--but with millions of square kilometers of less difficult territory still unexamined, they would have to wait their turn.

“Selene” was swinging into their shadows; before anyone had realized what was happening, the low-hanging Earth had been eclipsed. Its brilliant light still played upon the peaks far overhead, but down here all was utter darkness.

"I'll turn off the cabin lights," said the stewardess, "so you can get a better view."

As the dim red background illumination vanished, each traveler felt he was alone in the lunar night. Even the reflected radiance of Earth on those high peaks was disappearing as the cruiser raced farther into shadow. Within minutes, only the stars were left--cold, steady points of light in a blackness so complete that the mind rebelled against it.

It was hard to recognize the familiar constellations among this multitude of stars. The eye became entangled in patterns never seen from Earth, and lost itself in a glittering maze of clusters and nebulae. In all that resplendent panorama, there was only one unmistakable landmark--the dazzling beacon of Venus, far outshining all other heavenly bodies, heralding the approach of dawn.

It was several minutes before the travelers realized that not all the wonder lay in the sky. Behind the speeding cruiser stretched a long, phosphorescent wake, as if a magic finger had traced a line of light across the Moon's dark and dusty face. “Selene” was drawing a comet tail behind her, as surely as any ship plowing its way through the tropical oceans of Earth.

Yet there were no microorganisms here, lighting this dead sea with their tiny lamps. Only countless grains of dust, sparking one against the other as the static discharges caused by “Selene's” swift passage neutralized themselves. Even when one knew the explanation, it was still beautiful to watch--to look back into the night and to see this luminous, electric ribbon continually renewed, continually dying away, as if the Milky Way itself were reflected in the lunar surface.

The shining wake was lost in the glare as Pat switched on the seaichlight. Ominously close at hand, a great wall of rock was sliding past. At this point the face of the mountain rose almost sheer from the surrounding sea of dust; it towered overhead to unknown heights, for only where the racing oval of light fell upon it did it appear to flash suddenly into real existence.

Here were mountains against which the Himalayas, the Rockies, the Alps were newborn babies. On Earth, the forces of erosion began to tear at all mountains as soon as they were formed, so that after a few million years they were mere ghosts of their former selves. But the Moon knew neither wind nor rain; there was nothing here to wear away the rocks except the immeasurably slow flaking of the dust as their surface layers contracted in the chill of night. These mountains were as old as the world that had given them birth.

3. října 2022

A simple beginning

 

After lunch they went to the reptile house. It was cool and dark in there, with lit windows all along the walls. Behind the glass, all sorts of lizards and snakes were crawling and slithering over bits of wood and stone. Dudley and Piers wanted to see huge, poisonous cobras and thick, man-crushing pythons. Dudley quickly found the largest snake in the place. It could have wrapped its body twice around Uncle Vernon's car and crushed it into a trash can -- but at the moment it didn't look in the mood. In fact, it was fast asleep. Dudley stood with his nose pressed against the glass, staring at the glistening brown coils. "Make it move," he whined at his father. 
Uncle Vernon tapped on the glass, but the snake didn't budge. "Do it again," Dudley ordered. 
Uncle Vernon rapped the glass smartly with his knuckles, but the snake just snoozed on. "This is boring," Dudley moaned. He shuffled away. Harry moved in front of the tank and looked intently at the snake. He wouldn't have been surprised if it had died of boredom itself -- no company except stupid people drumming their fingers on the glass trying to disturb it all day long. It was worse than having a cupboard as a bedroom, where the only visitor was Aunt Petunia hammering on the door to wake you up; at least he got to visit the rest of the house. 
The snake suddenly opened its beady eyes. Slowly, very slowly, it raised its head until its eyes were on a level with Harry's. It winked. Harry stared. Then he looked quickly around to see if anyone was watching. They weren't. He looked back at the snake and winked, too. The snake jerked its head toward Uncle Vernon and Dudley, then raised its eyes to the ceiling. It gave Harry a look that said quite plainly: 
"I get that all the time. 
"I know," Harry murmured through the glass, though he wasn't sure the snake could hear him. "It must be really annoying." 
The snake nodded vigorously. 
"Where do you come from, anyway?" Harry asked. 
The snake jabbed its tail at a little sign next to the glass. Harry peered at it. Boa Constrictor, Brazil. 
"Was it nice there?" The boa constrictor jabbed its tail at the sign again and Harry read on: This specimen was bred in the zoo. 
"Oh, I see -- so you've never been to Brazil?" 
As the snake shook its head, a deafening shout behind Harry made both of them jump. "DUDLEY! MR. DURSLEY! COME AND LOOK AT THIS SNAKE! YOU WON'T BELIEVE WHAT IT'S DOING!" 
Dudley came waddling toward them as fast as he could. "Out of the way, you," he said, punching Harry in the ribs. Caught by surprise, Harry fell hard on the concrete floor. What came next happened so fast no one saw how it happened -- one second, Piers and Dudley were leaning right up close to the glass, the next, they had leapt back with howls of horror. Harry sat up and gasped; the glass front of the boa constrictor's tank had vanished. The great snake was uncoiling itself rapidly, slithering out onto the floor. People throughout the reptile house screamed and started running for the exits. As the snake slid swiftly past him, Harry could have sworn a low, hissing voice said, "Brazil, here I come.... Thanksss, amigo." The keeper of the reptile house was in shock. "But the glass," he kept saying, "where did the glass go?"
 The zoo director himself made Aunt Petunia a cup of strong, sweet tea while he apologized over and over again. Piers and Dudley could only gibber. As far as Harry had seen, the snake hadn't done anything except snap playfully at their heels as it passed, but by the time they were all back in Uncle Vernon's car, Dudley was telling them how it had nearly bitten off his leg, while Piers was swearing it had tried to squeeze him to death. But worst of all, for Harry at least, was Piers calming down enough to say, "Harry was talking to it, weren't you, Harry?" Uncle Vernon waited until Piers was safely out of the house before starting on Harry. He was so angry he could hardly speak. He managed to say, "Go -- cupboard -- stay -- no meals," before he collapsed into a chair, and Aunt Petunia had to run and get him a large brandy. Harry lay in his dark cupboard much later, wishing he had a watch. He didn't know what time it was and he couldn't be sure the Dursleys were asleep yet. Until they were, he couldn't risk sneaking to the kitchen for some food. VIDEO online :)

26. dubna 2021

Alenka, kontext a nonsens: překladatelská příprava

 Zjistěte všechny dostupné informace související se vznikem následujícího textu. Hledejte historický a sociokulturní kontext: dobové speciality, narážky, hříčky... 

Pak zkuste v duchu původního díla přeložit/převést do češtiny básničku (vyznačeno tučně).


Things may not bee what they seem.

____________________________________________

Alice in Wonderland  Chapter X

 “Thank you, it’s a very interesting dance to watch,” said Alice, feeling very glad that it was over at last: “and I do so like that curious song about the whiting!”

 “Oh, as to the whiting,” said the Mock Turtle, “they—you’ve seen them, of course?”

 “Yes,” said Alice, “I’ve often seen them at dinn—” she checked herself hastily.

 “I don’t know where Dinn may be,” said the Mock Turtle, “but if you’ve seen them so often, of course you know what they’re like.”

 “I believe so,” Alice replied thoughtfully. “They have their tails in their mouths—and they’re all over crumbs.”

 “You’re wrong about the crumbs,” said the Mock Turtle: “crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—” here the Mock Turtle yawned and shut his eyes.—“Tell her about the reason and all that,” he said to the Gryphon.

 “The reason is,” said the Gryphon, “that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn’t get them out again. That’s all.”

 “Thank you,” said Alice, “it’s very interesting. I never knew so much about a whiting before.”

 “I can tell you more than that, if you like,” said the Gryphon. “Do you know why it’s called a whiting?”

 “I never thought about it,” said Alice. “Why?”

 “It does the boots and shoes,” the Gryphon replied very solemnly.

 Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated in a wondering tone.

 “Why, what are your shoes done with?” said the Gryphon. “I mean, what makes them so shiny?”

 Alice looked down at them, and considered a little before she gave her answer. “They’re done with blacking, I believe.”

 “Boots and shoes under the sea,” the Gryphon went on in a deep voice, “are done with a whiting. Now you know.”

 “And what are they made of?” Alice asked in a tone of great curiosity.

 “Soles and eels, of course,” the Gryphon replied rather impatiently: “any shrimp could have told you that.”

 “If I’d been the whiting,” said Alice, whose thoughts were still running on the song, “I’d have said to the porpoise, ‘Keep back, please: we don’t want you with us!’”

 “They were obliged to have him with them,” the Mock Turtle said: “no wise fish would go anywhere without a porpoise.”

 “Wouldn’t it really?” said Alice in a tone of great surprise.

“Of course not,” said the Mock Turtle: “why, if a fish came to me, and told me he was going a journey, I should say ‘With what porpoise?’”

 “Don’t you mean ‘purpose’?” said Alice.

 “I mean what I say,” the Mock Turtle replied in an offended tone. And the Gryphon added “Come, let’s hear some of your adventures.”

 “I could tell you my adventures—beginning from this morning,” said Alice a little timidly: “but it’s no use going back to yesterday, because I was a different person then.”

 “Explain all that,” said the Mock Turtle.

 “No, no! The adventures first,” said the Gryphon in an impatient tone: “explanations take such a dreadful time.”

 So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating “You are old, Father William,” to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said “That’s very curious.”

 “It’s all about as curious as it can be,” said the Gryphon.

 “It all came different!” the Mock Turtle repeated thoughtfully. “I should like to hear her try and repeat something now. Tell her to begin.” He looked at the Gryphon as if he thought it had some kind of authority over Alice.

“Stand up and repeat ‘’Tis the voice of the sluggard,’” said the Gryphon.

 “How the creatures order one about, and make one repeat lessons!” thought Alice; “I might as well be at school at once.” However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:—


 “’Tis the voice of the Lobster; I heard him declare,

“You have baked me too brown, I must sugar my hair.” 

As a duck with its eyelids, so he with his nose 

Trims his belt and his buttons, and turns out his toes.”

 [later editions continued as follows

When the sands are all dry, he is gay as a lark,

And will talk in contemptuous tones of the Shark,

But, when the tide rises and sharks are around,

His voice has a timid and tremulous sound.]


 “That’s different from what I used to say when I was a child,” said the Gryphon.

 “Well, I never heard it before,” said the Mock Turtle; “but it sounds uncommon nonsense.”

 Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again.

 

19. dubna 2021

Hemingway - druhé kolo

 1. Vložte do komentáře přeložený úryvek z vybrané Hemingwayovy povídky (jiný než minule!) v rozsahu 100-200 slov. Připojte i originální text.

2.  Z vložených ukázek si jednu vyberte, zhodnoťte a navrhněte úpravy. Upravený text můžete přidat do komentáře ke komentáři, nebo ho předložit až v pondělí na hodině. Ideálně se domluvte s autorem na spolupráci a texty prodiskutujte!


12. dubna 2021

Kouzlo líčení

 

CHAPTER XXXVII

The manor-house of Ferndean was a building of considerable antiquity, moderate size, and no architectural pretensions, deep buried in a wood. I had heard of it before. Mr. Rochester often spoke of it, and sometimes went there. His father had purchased the estate for the sake of the game covers. He would have let the house, but could find no tenant, in consequence of its ineligible and insalubrious site. Ferndean then remained uninhabited and unfurnished, with the exception of some two or three rooms fitted up for the accommodation of the squire when he went there in the season to shoot.

To this house I came just ere dark on an evening marked by the characteristics of sad sky, cold gale, and continued small penetrating rain. The last mile I performed on foot, having dismissed the chaise and driver with the double remuneration I had promised. Even when within a very short distance of the manor-house, you could see nothing of it, so thick and dark grew the timber of the gloomy wood about it. Iron gates between granite pillars showed me where to enter, and passing through them, I found myself at once in the twilight of close-ranked trees. There was a grass-grown track descending the forest aisle between hoar and knotty shafts and under branched arches. I followed it, expecting soon to reach the dwelling; but it stretched on and on, it wound far and farther: no sign of habitation or grounds was visible.

I thought I had taken a wrong direction and lost my way. The darkness of natural as well as of sylvan dusk gathered over me. I looked round in search of another road. There was none: all was interwoven stem, columnar trunk, dense summer foliage—no opening anywhere.

I proceeded: at last my way opened, the trees thinned a little; presently I beheld a railing, then the house—scarce, by this dim light, distinguishable from the trees; so dank and green were its decaying walls. Entering a portal, fastened only by a latch, I stood amidst a space of enclosed ground, from which the wood swept away in a semicircle. There were no flowers, no garden-beds; only a broad gravel-walk girdling a grass-plat, and this set in the heavy frame of the forest. The house presented two pointed gables in its front; the windows were latticed and narrow: the front door was narrow too, one step led up to it. The whole looked, as the host of the Rochester Arms had said, “quite a desolate spot.” It was as still as a church on a week-day: the pattering rain on the forest leaves was the only sound audible in its vicinage.

“Can there be life here?” I asked.

Yes, life of some kind there was; for I heard a movement—that narrow front-door was unclosing, and some shape was about to issue from the grange.

It opened slowly: a figure came out into the twilight and stood on the step; a man without a hat: he stretched forth his hand as if to feel whether it rained. Dusk as it was, I had recognised him—it was my master, Edward Fairfax Rochester, and no other.

I stayed my step, almost my breath, and stood to watch him—to examine him, myself unseen, and alas! to him invisible. It was a sudden meeting, and one in which rapture was kept well in check by pain. I had no difficulty in restraining my voice from exclamation, my step from hasty advance.

His form was of the same strong and stalwart contour as ever: his port was still erect, his hair was still raven black; nor were his features altered or sunk: not in one year’s space, by any sorrow, could his athletic strength be quelled or his vigorous prime blighted. But in his countenance I saw a change: that looked desperate and brooding—that reminded me of some wronged and fettered wild beast or bird, dangerous to approach in his sullen woe. The caged eagle, whose gold-ringed eyes cruelty has extinguished, might look as looked that sightless Samson.

29. března 2021

Songs

 1. TASK 1 - Reflexe

Znáte nějaké kvalitní české verze původně anglických písní? Uveďte příklady v komentáři k blogu!


2.  TASK 2 - Inspirace
A jak se přeložené dílko proměňuje? Poslouchejte, přemýšlejte, porovnávejte.  Soustřeďte se na vnímání přízvučných a nepřízvučných dob, pozorujte, jak se shodují s textem.

Red river
Červená řeka

Three Ravens - A. Scholl
Three Ravens - Djazia
Three Ravens - vocal
Válka růží

L'important C'est la rose
Podívej, kvete růže

Všimněte si, jak se proměnilo i hudební provedení.

Další inspirace z oblasti téměř zlidovělé české popové klasiky zde - Ivo Fišer

Správné přízvuky samy o sobě nestačí, text musí mít nápad, smysl, myšlenku. Tvořivost v cílovém jazyce je stěžejní, a díla českých písničkářů jasně dokazují, že dobrý a vtipný text je silnou stránkou naší hudební scény.
Zuzana Navarová - Marie
Karel Kryl - Karavana mraků
Karel Plíhal - Nosorožec

My čekali jaro
... a zatím přišel mráz

Dobrodružství s bohem Panem
Greensleeves

Ani využití různých jazykových verzí textu původním interpretem není ničím zvláštním!

TASK 3 - Porovnání
Občas se výsledná podoba písně proměňuje mnohem víc, než by člověk čekal, někdy i pod vlivem sociopolitického tlaku. Jakpak asi vznikaly české texty písně Amazing Grace?

Která česká verze je vám nejsympatičtější a proč? Napište odpověď do komentáře k blogu.

22. března 2021

Shakespeare!

 

 


Jak překládat poezii?  A překládat ji vůbec? Má přednost forma či obsah? Dají se na překlad poesie aplikovat pravidla, o kterých jsme mluvili?


1. Projděte si komentáře k tomuto vstupu. Jaké typy básnické tvorby se objevují? Mají něco společného?

Dokážete se během 2 minut naučit 4 libovolné řádky zpaměti? Jak postupujete?


2. Stáhněte si z capsy soubor s různými verzemi překladu Shakespearova sonetu.
Shakespeare_Sonet66_13prekladu.doc

Která verze se vám nejvíc líbí? Proč? Napište svůj názor do komentáře k tomuto blogu. Uvažujete nad formou a obsahem nebo více nasloucháte svým pocitům?

Sonet 66 English
https://www.youtube.com/watch?v=4MWBW_c7Fsw

Sonet 66 Hilský
https://www.youtube.com/watch?v=SJw5BQba7zQ

Interview s Martinem Hilskym

__________________________________

3. Přečtěte si pomalu a klidně následující sonet. Vnímejte rytmus a zvukomalbu textu, při druhém čtení se teprve víc soustřeďte na obsah.

Sonnet 130
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
   And yet, by heaven, I think my love as rare
   As any she belied with false compare.


Pokuste se přeložit jedno ze tří čtyřverší + poslání.
Rozmyslete si, jak budete postupovat.
audio
_______________________

originál
https://www.opensourceshakespeare.org/views/sonnets/sonnets.php

české překlady Shakespeara
Jan Vladislav-pdf
http://lukaflek.wz.cz/poems/ws_sonet29.htm
http://www.v-art.cz/taxus_bohemica/eh/bergrova.htm
http://www.shakespearovy-sonety.cz/a29/
Hilsky sonet 12 youtube
http://sonety.blog.cz/0803/william-shakespeare-sonnet-12-64-73-94-107-128-sest-sonetu-v-mem-prekladu


https://ucbcluj.org/current-issue/vol-21-spring-2012/2842-2/
http://mikechasar.blogspot.cz/2011/02/gi-jane-dh-lawrence.html

________________

https://lyricstranslate.com/en/sonnet-66-soneto-66.html

Soneto 66
Harto de todo esto, muerte pido y paz:
de ver cómo es el mérito mendigo nato
y ver alzada en palmas la vil nulidad
y la más pura fe sufrir perjurio ingrato

y la dorada honra con deshonra dada
y el virginal pudor brutalmente arrollado
y cabal derechura a tuerto estropeada
y por cojera el brío juvenil quebrado

y el arte amordazado por la autoridad
y el genio obedeciendo a un docto mequetrefe
y llamada simpleza la simple verdad
y un buen cautivo sometido a un triste jefe;

harto de todo esto; de esto huiría; sólo
que, al morir, a mi amor aquí lo dejo solo.

__________________

https://lyricstranslate.com/en/sonnet-66-shakespeare-sonett-66.html

Shakespeare: Sonett 66

Satt hab ich all dies, verlang im Tod den Frieden,
Seh ich, dass das Verdienst ein Bettler bleibt,
Dass nacktem Nichts das Festagskleid beschieden,
Dass Meineid reinste Treu ins Unglück treibt,
Dass Schande sich mit Ehrengold umhängt,
Dass Geilheit alles, was noch rein ist, schändet,
Dass Unrecht die Gerechtigkeit verdrängt,
Dass Stärke, durch Gewalt gelähmt, verkrüppelt,
Dass Macht dem Wissen fest die Zunge bindet,
Dass Dummheit kritisch Können überwacht,
Dass man die lautre Wahrheit lachhaft findet,
Dass Gut als Sklave dient der bösen Macht.
Satt hab' ich all dies, möcht' weg von alldem sein,
Doch wär' ich tot, ließ' ich mein Lieb allein.

https://shine.unibas.ch/Sonette1.htm#66
https://lyricstranslate.com/en/sonnet-66-sonett-66.html#songtranslation

__________________

Sonett 66

Des Todes Ruh' ersehn' ich lebensmüd,
Seh' ich Verdienst als Bettler auf der Welt,
Und leeres Nichts zu höchstem Prunk erblüht,
Und reinste Treue, die im Meineid fällt,
Und goldne Ehre, die die Schande schmückt,
Und Mädchenunschuld roh dahingeschlachtet,
Und Kraft durch schwache Leitung unterdrückt,
Und echte Hoheit ungerecht verachtet,
Und Kunst geknebelt durch die Übermacht,
Und Unsinn herrschend auf der Weisheit Thron,
Und Einfalt als Einfältigkeit verlacht,
Und Knecht das Gute in des Bösen Fron,
Ja lebensmüd entging' ich gern der Pein,
Ließ den Geliebten nicht mein Tod allein.

Übersetzt von Max Josef Wolff

https://lyricstranslate.com/en/sonnet-66-sonett-66.html-0#songtranslation

__________________

Sonett 66

Ich hab es satt. Wär ich ein toter Mann.
Wenn Würde schon zur Bettelei geborn
Und Nichtigkeit sich ausstaffieren kann
Und jegliches Vertrauen ist verlorn
Und Rang und Name Fähigkeit entbehrt
Und Fraun vergebens sich der Männer wehren
Und wenn der Könner Gnadenbrot verzehrt
Und Duldende nicht aufbegehren
Und Kunst gegängelt von der Obrigkeit
Und Akademiker erklärn den Sinn
Und simples Zeug tritt man gelehrsam breit
Und Gut und Böse biegt sich jeder hin
Ich hab es satt. Ich möchte wegsein, bloß:
Noch liebe ich. Und das läßt mich nicht los.

Deutsche Fassung von
Karl Werner Plath
__________________

Сонет 66

Измучась всем, я умереть хочу.
Тоска смотреть, как мается бедняк,
И как шутя живется богачу,
И доверять, и попадать впросак,

И наблюдать, как наглость лезет в свет,
И честь девичья катится ко дну,
И знать, что ходу совершенствам нет,
И видеть мощь у немощи в плену,

И вспоминать, что мысли заткнут рот,
И разум сносит глупости хулу,
И прямодушье простотой слывет,
И доброта прислуживает злу.

Измучась всем, не стал бы жить и дня,
Да другу будет трудно без меня.


Pasternak, Boris Leonidovic

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Sonnet 66: Translation to modern English
Exhausted with the following things I cry out for releasing death: for example, seeing a deserving person who has been born into poverty; and an undeserving one dressed in the finest clothes; and someone who shows trustworthiness wretchedly betrayed; and public honour shamefully bestowed on the unfit; and unblemished goodness forced into bad ways; and genuine perfection unjustly disgraced; and conviction crippled by corruption; and skill suppressed by those with the power to do it; and stupidity restraining the advance of knowledge; and simple truth being dismissed as simplistic; and good taking orders from evil. Exhausted with all these things I want to escape, except that by dying I would be abandoning my love.