21. září 2017

Jižanský monolog

1. Pečlivě si přečtěte celý úryvek. Kompletní text najdete v Projektu Guttenberg.
2. Vypište si výrazy a obraty, které neznáte. Při hledání jejich významu pokaždé kontrolujte výsledek ve více zdrojích.

https://www.merriam-webster.com/
http://www.urbandictionary.com/
http://www.slovnik.cz/
https://en.oxforddictionaries.com/
http://dictionary.cambridge.org/
https://www.collinsdictionary.com/
http://idioms.thefreedictionary.com/
http://www.wisegeek.com/

3. Přeložte tučně vyznačenou část textu a překlad vložte do komentáře k tomuto blogu.

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The Adventures of Tom Sawyer
Mark Twain (Samuel Clemens)

CHAPTER I

"TOM!"
No answer.
"TOM!"
No answer.
"What's gone with that boy,  I wonder? You TOM!"
No answer.
The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked _through_ them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not
service-she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:
"Well, I lay if I get hold of you I'll-"
She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.
"I never did see the beat of that boy!"
She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted:
"Y-o-u-u TOM!"
There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight. "There! I might 'a' thought of that closet. What you been doing in there?"
"Nothing."
"Nothing! Look at your hands. And look at your mouth. What _is_ that truck?"
"I don't know, aunt."
"Well, I know. It's jam-that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch."
The switch hovered in the air-the peril was desperate. "My! Look behind you, aunt!"
The old lady whirled round, and snatched her skirts out of danger. The lad fled on the instant, scrambled up the high board-fence, and disappeared over it.
His aunt Polly stood surprised a moment, and then broke into a gentle laugh.

"Hang the boy, can't I never learn anything? Ain't he played me tricks enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can't learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a laying up sin and suffering for us both, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart most breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hookey this evening, and I'll just be obleeged to make him work, tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've _got_ to do some of my duty by him, or I'll be the ruination of the child."



29. března 2017

Science fiction

2010: Odyssey two
Arthur C. Clarke (1982)

Author's Note
The novel 2001: A Space Odyssey was written during the years 1964-8 and was published in July 1968, shortly after release of the movie. As I have described in The Lost Worlds of 2001, both projects proceeded simultaneously, with feedback in each direction. Thus I often had the strange experience of revising the manuscript after viewing rushes based upon an earlier version of the story a stimulating, but rather expensive, way of writing a novel.
….

The Saturnian system was reached via Jupiter: Discovery made a close approach to the giant planet, using its enormous gravitational field to produce a 'slingshot' effect and to accelerate it along the second lap of its journey. Exactly the same manoeuvre was used by the Voyager space probes in 1979, when they made the first detailed reconnaissance of the outer giants.

No one could have imagined, back in the mid-sixties, that the exploration of the moons of Jupiter lay, not in the next century, but only fifteen years ahead. Nor had anyone dreamed of the wonders that would be found there - although we can be quite certain that the discoveries of the twin Voyagers will one day be surpassed by even more unexpected finds. When 2001 was written, Io, Europa, Ganymede, and Callisto were mere pinpoints of light in even the most powerful telescope; now they are worlds, each unique, and one of them - Io - is the most volcanically active body in the Solar System.

2001 was written in an age that now lies beyond one of the Great Divides in human history; we are sundered from it forever by the moment when Neil Armstrong set foot upon the Moon. The date 20 July 1969 was still half a decade in the future when Stanley Kubrick and I started thinking about the 'proverbial good science-fiction movie' (his phrase). Now history and fiction have become inextricably intertwined. The Apollo astronauts had already seen the film when they left for the Moon.
The crew of Apollo 8, who at Christmas 1968 became the first men ever to set eyes upon the Lunar Farside, told me that they had been tempted to radio back the discovery of a large black monolith: alas, discretion prevailed.

And there were, later, almost uncanny instances of nature imitating art. Strangest of all was the saga of Apollo 13 in 1970.
As a good opening, the Command Module, which houses the crew, had been christened Odyssey, Just before the explosion of the oxygen tank that caused the mission to be aborted, the crew had been playing Richard Strauss's Zarathustra theme, now universally identified with the movie. Immediately after the loss of power, Jack Swigert radioed back to Mission Control: 'Houston, we've had a
problem.' The words that Hal used to astronaut Frank Poole on a similar occasion were: 'Sorry to interrupt the festivities, but we have a problem.'
When the report of the Apollo 13 mission was later published, NASA Administrator Tom Paine sent me a copy, and noted under Swigert's words: 'Just as you always said it would be, Arthur.' I still get a very strange feeling when I contemplate this whole series of events - almost, indeed, as if I share a certain responsibility.

Inevitably, therefore, the story you are about to read is something much more complex than a straightforward sequel to the earlier novel - or the movie. Where these differ, I have followed the screen version; however, I have been more concerned with making this book self-consistent, and as accurate as possible in the light of current knowledge.
Which, of course, will once more be out of date by 2001...
Arthur C. Clarke
COLOMBO, SRI LANKA
JANUARY 1982


I
LEONOV
1
Meeting at the Focus
Even in this metric age, it was still the thousand-foot telescope, not the three-hundred-metre one. The great saucer set among the mountains was already half full of shadow, as the tropical sun dropped swiftly to rest, but the triangular raft of the antenna complex suspended high above its centre still blazed with light. From the ground far below, it would have taken keen eyes to notice the two human figures in the aerial maze of girders, support cables, and wave-guides.
'The time has come,' said Dr Dimitri Moisevitch to his old friend Heywood Floyd, 'to talk of many things. Of shoes and spaceships and sealing wax, but mostly of monoliths and malfunctioning computers.'
'So that's why you got me away from the conference. Not that I really mind I've heard Carl give that SETI speech so many times that I can recite it myself. And the view certainly is fantastic - you know, all the times I've been to Arecibo, I've never made it up here to the antenna feed.'
'Shame on you. I've been here three times. Imagine - we're listening to the whole universe - but no one can overhear us. So let's talk about your problem.'
'What problem?'
'To start with, why you had to resign as Chairman of the National Council on Astronautics.'
'I didn't resign. The University of Hawaii pays a lot better.'
'Okay - you didn't resign - you were one jump ahead of them. After all these years, Woody, you can't fool me, and you should give up trying. If they offered the NCA back to you right now, would you hesitate?'
'All right, you old Cossak. What do you want to know?'
'First of all, there are lots of loose ends in the report you finally issued after so much prodding. We'll overlook the ridiculous and frankly illegal secrecy with which your people dug up the Tycho monolith -'
'That wasn't my idea.'
'Glad to hear it: I even believe you. And we appreciate the fact that you're now letting everyone examine the thing - which of course is what you should have done in the first place. Not that it's done much good...'
There was a gloomy silence while the two men contemplated the black enigma up there on the Moon, still contemptuously defying all the weapons that human ingenuity could bring to bear upon it. Then the Russian scientist continued.
'Anyway, whatever the Tycho monolith may be, there's something more important out at Jupiter. That's where it sent its signal, after all. And that's where your people ran into trouble. Sorry about that, by the way - though Frank Poole was the only one I knew personally. Met him at the '98 IAF Congress – he seemed a good man.'
'Thank you; they were all good men. I wish we knew what happened to them.'
'Whatever it was, surely you'll admit that it now concerns the whole human race - not merely the United States. You can no longer try to use your knowledge for purely national advantage.'
'Dimitri - you know perfectly well that your side would have done exactly the same thing. And you'd have helped.'
'You're absolutely right. But that's ancient history - like the just departed administration of yours that was responsible for the whole mess. With a new President, perhaps wiser counsels will prevail.'
'Possibly. Do you have any suggestions, and are they official or just personal hopes?'
'Entirely unofficial at the moment. What the bloody politicians call exploratory talks. Which I shall flatly deny ever occurred.'
'Fair enough. Go on.'
'Okay - here's the situation. You're assembling Discovery 2 in parking orbit as quickly as you can, but you can't hope to have it ready in less than three years, which means you'll miss the next launch window -,
'I neither confirm nor deny. Remember I'm merely a humble university chancellor, the other side of the world from the Astronautics Council.'
'And your last trip to Washington was just a holiday to see old friends, I suppose. To continue: our own Alexei Leonov -,
'I thought you were calling it Gherman Titov.'
'Wrong, Chancellor. The dear old CIA's let you down again. Leonov it is, as of last January. And don't let anyone know I told you it will reach Jupiter at least a year ahead of Discovery.'
'Don't let anyone know I told you we were afraid of that. But do go on.'
'Because my bosses are just as stupid and shortsighted as yours, they want to go it alone. Which means that whatever went wrong with you may happen to us, and we'll all be back to square one - or worse.'
'What do you think went wrong? We're just as baffled as you are. And don't tell me you haven't got all of Dave Bowman's transmissions.'
'Of course we have. Right up to that last "My God, it's full of stars!" We've even done a stress analysis on his voice patterns. We don't think he was hallucinating; he was trying to describe what he actually saw.'
'And what do you make of his doppler shift?'
'Completely impossible, of course. When we lost his signal, he was receding at a tenth of the speed of light. And he'd reached that in less than two minutes. A quarter of a million gravities!'
'So he must have been killed instantly.'
'Don't pretend to be naive, Woody. Your space-pod radios aren't built to withstand even a hundredth of that acceleration. If they could survive, so could Bowman - at least, until we lost contact.'
'Just doing an independent check on your deductions. From there on, we're as much in the dark as you are. If you are.'
'Merely playing with lots of crazy guesses I'd be ashamed to tell you. Yet none of them, I suspect, will be half as crazy as the truth.'
In small crimson explosions the navigation warning lights winked on all around them, and the three slim towers supporting the antenna complex began to blaze like beacons against the darkling sky. The last red sliver of the sun vanished below the surrounding hills; Heywood Floyd waited for the Green Flash, which he had never seen. Once again, he was disappointed.
'So, Dimitri,' he said, 'let's get to the point. Just what are you driving  at?'
'There must be a vast amount of priceless information stored in Discovery's data banks; presumably it's still being gathered, even though the ship's stopped transmitting. We'd like to have that.'
'Fair enough. But when you get out there, and Leonov makes a rendezvous, what's to prevent you from boarding Discovery and copying everything you want?'
'I never thought I'd have to remind you that Discovery is United States territory, and an unauthorized entry would be piracy.'
'Except in the event of a life-or-death emergency, which wouldn't be difficult to arrange. After all, it would be hard for us to check what your boys were up to, from a billion kilometres away.'
'Thanks for the most interesting suggestion; I'll pass it on. But even if we went aboard, it would take us weeks to learn all your systems, and read out all your memory banks. What I propose is cooperation. I'm convinced that's the best idea - but we may both have a job selling it to our respective bosses.'
'You want one of our astronauts to fly with Leonov?'
'Yes - preferably an engineer who's specialized in Discovery's systems. Like the ones you're training at Houston to bring the ship home.'
'How did you know that?'
'For heaven's sake, Woody - it was on Aviation Week's videotext at least a month ago.'
'I am out of touch; nobody tells me what's been declassified.'
'All the more reason to spend time in Washington. Will you back me up?'
'Absolutely. I agree with you one hundred per cent. But -'
'But what?'
'We both have to deal with dinosaurs with brains in their tails. Some of mine will argue: Let the Russians risk their necks, hurrying out to Jupiter. We'll be there anyway a couple of years later - and what's the hurry?'
For a moment there was silence on the antenna raft, except for a faint creak from the immense supporting cables that held it suspended a hundred metres in the sky. Then Moisevitch continued, so quietly that Floyd had to strain to hear him: 'Has anyone checked Discovery's orbit lately?'
'I really don't know - but I suppose so. Anyway, why bother? It's a perfectly stable one.'
'Indeed. Let me tactlessly remind you of an embarrassing incident from the old NASA days. Your first space station - Skylab. It was supposed to stay up at least a decade, but you didn't do your calculations right. The air drag in the ionosphere was badly underestimated, and it came down years ahead of schedule. I'm sure you remember that little cliffhanger, even though you were a boy at the time.'
'It was the year I graduated, and you know it. But Discovery doesn't go anywhere near Jupiter. Even at perigee - er, perijove - it's much too high to be affected by atmospheric drag.'
'I've already said enough to get me exiled to my dacha again - and you might not be allowed to visit me next time. So just ask your tracking people to do their job more carefully, will you? And remind them that Jupiter has the biggest magnetosphere in the Solar System.'
'I understand what you're driving at - many thanks. Anything else before we go down? I'm starting to freeze.'
'Don't worry, old friend. As soon as you let all this filter through to Washington - wait a week or so until I'm clear -things are going to get very, very hot.'

22. března 2017

Hudba a text

HW: registrujte si povídku k finálnímu překladu! Na capse jsou k dispozici soubory z díla E. Hemingwaye a R. Bradburyho.


Poválečná populární hudba, to bylo v padesátých a šedesátých letech především zázračné "rádio Laxemberg," z něhož později čerpaly stále četnější české adaptace americké hudby. Ovšem "poklesle kapitalistický" anglický text byl v pokrokovém socialistickém státě nepřijatelný a nepřípustný! Od šedesátých let 20. století se tak intenzivně rozvíjela česká překladová textařina, a často bojovala s nesmyslnou cenzurou. V textu se například nesmělo objevit slova bible nebo Ježíš - tak vznikla záhadná řádka z textu skupiny Spirituál kvintet "Ten starý příběh z knížky vám tu vykládám", nebo název písně "Jesus met a woman" - v české verzi Poutník a dívka.
V současnosti má většina světových písní pop music anglické texty, bez ohledu na národnost autorů a interpretů. Ani ty, které posloucháme česky, nemusejí pocházet z domácí produkce - často čeští interpreti převezmou světový hit a dodají mu český text. Byznys je byznys!

Česká tradice písňových překladů sahá hluboko do historie.

Divotvorný hrnec
U nás doma (How Are Things In Glocca Morra): Burton Lane, V+W
Zpívá Soňa Červená, mluví Václav Trégl
Karel Vlach se svým orchestrem
ULTRAPHON C 15130, mat. 45770, rec. PRAHA 23.4.1948

Americký muzikál Finian´s Rainbow (Divotvorný hrnec) napsal Burton Lane na text E. Y. Harburga. Hudbu přepsal z původních gramofonových desek natočených 30.3. a 3,7,10.4. 1947 v New Yorku Zdeněk Petr, který hudbu i aranžoval. Pražské provedení bylo první v Evropě.

Ukázka ze slavné filmové verze


1. Znáte nějaké české verze původně anglických písní? Uveďte příklady v komentáři k blogu!

2. A jak se přeložené dílko proměňuje? Porovnejte:

Red river
Červená řeka

Three Ravens - A. Scholl
Three Ravens - Djazia
Three Ravens - vocal
Válka růží

L'important C'est la rose
Podívej, kvete růže

Všimněte si, jak se proměnilo i hudební provedení.

Další inspirace z oblasti téměř zlidovělé české popové klasiky zde - Ivo Fišer
http://www.casopisfolk.cz/Textari/textari-fischer_ivo0610.htm


I díla českých písničkářů jasně dokazují, že dobrý a vtipný text je silnou stránkou naší hudební scény.
Zuzana Navarová - Marie
Karel Kryl - Karavana mraků
Karel Plíhal - Nosorožec

Michal Tučný, Rattlesnake Annie - Long Black Limousine

My čekali jaro
... a zatím přišel mráz
Oh, dem golden slippers - parodie (info - WIKI)


3. Naším úkolem bude OTEXTOVAT píseň s původně anglickým textem. Nejsme nijak vázáni obsahem originálu, rozhoduje jedině forma, zpívatelnost - slovní a hudební přízvuky se musí překrývat. Zvolte si styl - a držte se ho, ať už to bude drama, lyrika nebo ostrá parodie.

Vyberte si buď jednu z níže uvedených tří skladeb, nebo si zvolte jinou dle vlastní preference - v tom případě ale musíte k přeloženému textu do komentáře k blogu uvést i odkaz na originální audiozáznam, nejlépe na youtube.

Downtown
I see fire
Hotel California

4. Že nepoznáte přízvuk ani v textu, natož v hudbě?

Zkuste si polohlasně zarecitovat a označit přízvučné slabiky:

Je to chůze po tom světě -
kam se noha šine:
sotva přejdeš jedny hory,
hned se najdou jiné.

Je to život na tom světě -
že by člověk utek:
ještě nezažil jsi jeden,
máš tu druhý smutek.

A teď si poslechněte zhudebněnou verzi - přízvuky jsou v ní patrné daleko lépe:
Pocestný

Délky not a slabik také hrají svou roli:
. . - - . . - -
. . - - . .
. . - - . . - -
. . - - . .


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Gott https://www.youtube.com/watch?v=rYG52fKoRw0
text Zdeněk Borovec  http://www.karaoketexty.cz/texty-pisni/gott-karel/uz-z-hor-zni-zvon-36571
Nedvědi https://www.youtube.com/watch?v=XagCL9YyBH8
Il Divo https://www.youtube.com/watch?v=GYMLMj-SibU


20. března 2017

Poesie? Je spletí hlásek...

Citát z Rostandova Cyrana otevírá nové téma.
Jak překládat poezii?  A překládat ji vůbec? Má přednost forma či obsah? Dají se na překlad poesie aplikovat pravidla, o kterých jsme mluvili?

1. Stáhněte si z capsy soubor s různými verzemi překladu Shakespearova sonetu.
Shakespeare_Sonet66_13prekladu.doc

Která verze se vám nejvíc líbí? Proč? Napište svůj názor do komentáře k tomuto blogu. Uvažujete nad formou a obsahem nebo více nasloucháte svým pocitům?

Sonet 66 English
https://www.youtube.com/watch?v=4MWBW_c7Fsw

Sonet 66 Hilský
https://www.youtube.com/watch?v=SJw5BQba7zQ

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2. Přečtěte si pomalu a klidně následující sonet. Vnímejte rytmus a zvukomalbu textu, při druhém čtení se teprve víc soustřeďte na obsah.

SONNET 29

When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,

Wishing me like to one more rich in hope,
Featured like him, like him with friends possess'd,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;

Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;

For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings.


Pokuste se přeložit jedno ze tří čtyřverší + poslání.
Rozmyslete si, jak budete postupovat.

_______________________

Domácí úkol:
Vyhledejte jakýkoli český překlad své oblíbené básně a  anglický originál spolu s českou verzí vlože do komentáře k tomuto blogu.
Naučte se alespoň 8 řádek zpaměti - česky i anglicky. Zkuste si recitaci před zrcadlem, vnímejte rytmus básně, porovnávejte básnické prostředky použité v originále a v překladu.


___________

české překlady Shakespeara
Jan Vladislav-pdf
http://lukaflek.wz.cz/poems/ws_sonet29.htm
http://www.v-art.cz/taxus_bohemica/eh/bergrova.htm
http://www.shakespearovy-sonety.cz/a29/

12. března 2017

Dramatický rozhovor

Dialog je často prostředkem přímé charakterizace jednajících osob v zájmu urychlení dějového spádu. Každá postava má charakteristický styl, který je její neoddělitelnou součástí a musí odpovídat věku, sociálnímu postavení a dalšm aspektům mluvčího.
Pro překladatele je proto důležité, aby repliky postav zněly přirozeně, "vešly se do pusy," a zároveň odpovídaly typu postavy.
Dáleje nutno pečlivě kontrolovat interpunkci - zmatek v uvozovkách znamená zmatek v tom, kdo právě mluví.

V přiložené ukázce se domlouvají postavu víceméně stejného odborného i sociálního zázemí, ovšem jiných národností - i toto specifikum je součástí jejich řečového projevu.

____________________________

CHAPTER 52
The Sprawling 185-acre estate of Château Villette was located twenty-five minutes northwest of Paris in the environs of Versailles. Designed by François Mansart in 1668 for the Count of Aufflay, it was one of Paris's most significant historical châteaux. Complete with two rectangular lakes and gardens designed by Le Nôtre, Château Villette was more of a modest castle than a mansion. The estate fondly had become known as la Petite Versailles.
Langdon brought the armored truck to a shuddering stop at the foot of the mile-long driveway. Beyond the imposing security gate, Sir Leigh Teabing's residence rose on a meadow in the distance. The sign on the gate was in English: PRIVATE PROPERTY. NO TRESPASSING.
As if to proclaim his home a British Isle unto itself, Teabing had not only posted his signs in English, but he had installed his gate's intercom entry system on the right-hand side of the truck-the passenger's side everywhere in Europe except England.
Sophie gave the misplaced intercom an odd look. "And if someone arrives without a passenger?"
„Don't ask.“  Langdon had already been through that with Teabing. "He prefers things the way they are at home."
Sophie rolled down her window. "Robert, you'd better do the talking."
Langdon shifted his position, leaning out across Sophie to press the intercom button. As he did, an alluring whiff of Sophie's perfume filled his nostrils, and he realized how close they were. He waited there, awkwardly prone, while a telephone began ringing over the small speaker.
Finally, the intercom crackled and an irritated French accent spoke. "Château Villette. Who is calling?"
„This is Robert Langdon,“ Langdon called out, sprawled across Sophie's lap. "I'm a friend of Sir Leigh Teabing. I need his help."
"My master is sleeping. As was I. What is your business with him?"
„It is a private matter. One of great interest to him.“
"Then I'm sure he will be pleased to receive you in the morning."
Langdon shifted his weight. "It's quite important."
"As is Sir Leigh's sleep. If you are a friend, then you are aware he is in poor health."
Sir Leigh Teabing had suffered from polio as a child and now wore leg braces and walked with crutches, but Langdon had found him such a lively and colorful man on his last visit that it hardly seemed an infirmity. "If you would, please tell him I have uncovered new information about the Grail. Information that cannot wait until morning."
There was a long pause.
Langdon and Sophie waited, the truck idling loudly.
A full minute passed.
Finally, someone spoke. "My good man, I daresay you are still on Harvard Standard Time." The voice was crisp and light.
Langdon grinned, recognizing the thick British accent. "Leigh, my apologies for waking you at this obscene hour."
"My manservant tells me that not only are you in Paris, but you speak of the Grail."
„I thought that might get you out of bed.“
„And so it has.“
„Any chance you'd open the gate for an old friend?"
"Those who seek the truth are more than friends. They are brothers."
Langdon rolled his eyes at Sophie, well accustomed to Teabing's predilection for dramatic antics.
„Indeed I will open the gate,“ Teabing proclaimed, "but first I must confirm your heart is true. A test of your honor. You will answer three questions."
Langdon groaned, whispering at Sophie. "Bear with me here. As I mentioned, he's something of a character."
Your first question, Teabing declared, his tone Herculean. „Shall I serve you coffee, or tea?“
Langdon knew Teabing's feelings about the American phenomenon of coffee. "Tea," he replied. "Earl Grey."
„Excellent. Your second question. Milk or sugar?“
Langdon hesitated.
„Milk,“ Sophie whispered in his ear. "I think the British take milk."
„Milk,“ Langdon said.
Silence.
„Sugar?“
Teabing made no reply.
Wait! Langdon now recalled the bitter beverage he had been served on his last visit and realized this question was a trick. "Lemon!" he declared. "Earl Grey with lemon."
„Indeed.“ Teabing sounded deeply amused now. "And finally, I must make the most grave of inquiries." Teabing paused and then spoke in a solemn tone. "In which year did a Harvard sculler last outrow an Oxford man at Henley?"
Langdon had no idea, but he could imagine only one reason the question had been asked. "Surely such a travesty has never occurred."
The gate clicked open. "Your heart is true, my friend. You may pass."

27. února 2017

Barvitý popis

1. Ve skupinách sepište co nejvíce výrazů více či méně synonymních ke slovům KŮŇ JÍT/BĚŽET. Soustřeďte se na vnímání jejich stylové platnosti - kam je vhodné který výraz zařadit? Která postava ho může použít a v jakém kontextu?

Nápověda:
výrazy archaické x neologismy
pejorativa x diminutiva
emočně negativní x pozitivní
slang a argot x odborná terminologie...

2. Kombinujte různé přípony a předpony se slovesem DĚLAT.  Registrujte a popisujte změny významu i stylové platnosti.


Vložte své nápady do komentáře k tomuto blogu.


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THE CANTERVILLE GHOST
by
OSCAR WILDE

An amusing chronicle of the tribulations of the Ghost of Canterville
Chase when his ancestral halls became the home of the American Minister
to the Court of St. James.

1906

I

When Mr. Hiram B. Otis, the American Minister, bought Canterville Chase,
every one told him he was doing a very foolish thing, as there was no
doubt at all that the place was haunted. Indeed, Lord Canterville
himself, who was a man of the most punctilious honour, had felt it his
duty to mention the fact to Mr. Otis when they came to discuss terms.

"We have not cared to live in the place ourselves," said Lord
Canterville, "since my grandaunt, the Dowager Duchess of Bolton, was
frightened into a fit, from which she never really recovered, by two
skeleton hands being placed on her shoulders as she was dressing for
dinner, and I feel bound to tell you, Mr. Otis, that the ghost has been
seen by several living members of my family, as well as by the rector of
the parish, the Rev. Augustus Dampier, who is a Fellow of King's
College, Cambridge. After the unfortunate accident to the Duchess, none
of our younger servants would stay with us, and Lady Canterville often
got very little sleep at night, in consequence of the mysterious noises
that came from the corridor and the library."

"My Lord," answered the Minister, "I will take the furniture and the
ghost at a valuation. I have come from a modern country, where we have
everything that money can buy; and with all our spry young fellows
painting the Old World red, and carrying off your best actors and
prima-donnas, I reckon that if there were such a thing as a ghost in
Europe, we'd have it at home in a very short time in one of our public
museums, or on the road as a show."

"I fear that the ghost exists," said Lord Canterville, smiling, "though
it may have resisted the overtures of your enterprising impresarios. It
has been well known for three centuries, since 1584 in fact, and always
makes its appearance before the death of any member of our family."

"Well, so does the family doctor for that matter, Lord Canterville. But
there is no such thing, sir, as a ghost, and I guess the laws of Nature
are not going to be suspended for the British aristocracy."

"You are certainly very natural in America," answered Lord Canterville,
who did not quite understand Mr. Otis's last observation, "and if you
don't mind a ghost in the house, it is all right. Only you must remember
I warned you."

A few weeks after this, the purchase was concluded, and at the close of
the season the Minister and his family went down to Canterville Chase.
Mrs. Otis, who, as Miss Lucretia R. Tappan, of West 53d Street, had been
a celebrated New York belle, was now a very handsome, middle-aged woman,
with fine eyes, and a superb profile. Many American ladies on leaving
their native land adopt an appearance of chronic ill-health, under the
impression that it is a form of European refinement, but Mrs. Otis had
never fallen into this error. She had a magnificent constitution, and a
really wonderful amount of animal spirits. Indeed, in many respects, she
was quite English, and was an excellent example of the fact that we
have really everything in common with America nowadays, except, of
course, language. Her eldest son, christened Washington by his parents
in a moment of patriotism, which he never ceased to regret, was a
fair-haired, rather good-looking young man, who had qualified himself
for American diplomacy by leading the German at the Newport Casino for
three successive seasons, and even in London was well known as an
excellent dancer. Gardenias and the peerage were his only weaknesses.
Otherwise he was extremely sensible. Miss Virginia E. Otis was a little
girl of fifteen, lithe and lovely as a fawn, and with a fine freedom
in her large blue eyes. She was a wonderful Amazon, and had once raced
old Lord Bilton on her pony twice round the park, winning by a length
and a half, just in front of the Achilles statue, to the huge delight of
the young Duke of Cheshire, who proposed for her on the spot, and was
sent back to Eton that very night by his guardians, in floods of tears.
After Virginia came the twins, who were usually called "The Star and
Stripes," as they were always getting swished. They were delightful
boys, and, with the exception of the worthy Minister, the only true
republicans of the family.

As Canterville Chase is seven miles from Ascot, the nearest railway station, Mr. Otis had telegraphed for a waggonette to meet them, and they started on their drive in high spirits. It was a lovely July evening, and the air was delicate with the scent of the pinewoods. Now and then they heard a wood-pigeon brooding over its own sweet voice, or saw, deep in the rustling fern, the burnished breast of the pheasant.Little squirrels peered at them from the beech-trees as they went by, and the rabbits scudded away through the brushwood and over the mossy knolls, with their white tails in the air. As they entered the avenue of Canterville Chase, however, the sky became suddenly overcast with clouds, a curious stillness seemed to hold the atmosphere, a great flight of rooks passed silently over their heads, and, before they reached the house, some big drops of rain had fallen.

Standing on the steps to receive them was an old woman, neatly dressed in black silk, with a white cap and apron. This was Mrs. Umney, the housekeeper, whom Mrs. Otis, at Lady Canterville's earnest request, had consented to keep in her former position. She made them each a low curtsey as they alighted, and said in a quaint, old-fashioned manner, "I bid you welcome to Canterville Chase." Following her, they passed through the fine Tudor hall into the library, a long, low room, panelled in black oak, at the end of which was a large stained glass window. Here they found tea laid out for them, and, after taking off their wraps, they sat down and began to look round, while Mrs. Umney waited on them.

Suddenly Mrs. Otis caught sight of a dull red stain on the floor just by the fireplace, and, quite unconscious of what it really signified, said to Mrs. Umney, "I am afraid something has been spilt there."

"Yes, madam," replied the old housekeeper in a low voice, "blood has been spilt on that spot."


"How horrid!" cried Mrs. Otis; "I don't at all care for blood-stains in
a sitting-room. It must be removed at once."

The old woman smiled, and answered in the same low, mysterious voice,
"It is the blood of Lady Eleanore de Canterville, who was murdered on
that very spot by her own husband, Sir Simon de Canterville, in 1575.
Sir Simon survived her nine years, and disappeared suddenly under very
mysterious circumstances. His body has never been discovered, but his
guilty spirit still haunts the Chase. The blood-stain has been much
admired by tourists and others, and cannot be removed."

"That is all nonsense," cried Washington Otis; "Pinkerton's Champion
Stain Remover and Paragon Detergent will clean it up in no time," and
before the terrified housekeeper could interfere, he had fallen upon his
knees, and was rapidly scouring the floor with a small stick of what
looked like a black cosmetic. In a few moments no trace of the
blood-stain could be seen.

"I knew Pinkerton would do it," he exclaimed, triumphantly, as he
looked round at his admiring family; but no sooner had he said these
words than a terrible flash of lightning lit up the sombre room, a
fearful peal of thunder made them all start to their feet, and Mrs.
Umney fainted.

"What a monstrous climate!" said the American Minister, calmly, as he
lit a long cheroot. "I guess the old country is so overpopulated that
they have not enough decent weather for everybody. I have always been of
opinion that emigration is the only thing for England."

"My dear Hiram," cried Mrs. Otis, "what can we do with a woman who
faints?"

"Charge it to her like breakages," answered the Minister; "she won't
faint after that;" and in a few moments Mrs. Umney certainly came to.
There was no doubt, however, that she was extremely upset, and she
sternly warned Mr. Otis to beware of some trouble coming to the house.

"I have seen things with my own eyes, sir," she said, "that would make
any Christian's hair stand on end, and many and many a night I have not
closed my eyes in sleep for the awful things that are done here." Mr.
Otis, however, and his wife warmly assured the honest soul that they
were not afraid of ghosts, and, after invoking the blessings of
Providence on her new master and mistress, and making arrangements for
an increase of salary, the old housekeeper tottered off to her own room.

8. února 2017

Obyčejné vyprávění




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Základní postup pří překládání:
1. seznámit se s autorem, jeho širším dílem v originéle i v existujících překladech
2. přečíst celý text určený k překladu, ujasnit si prvky autorského stylu, ověřit reálie, učinit koncepční rozhodnutí (např. překlad vlastních jmen, neologismů...)
3...a pak teprve překládat!
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The Project Gutenberg EBook of Tarzan of the Apes, by Edgar Rice Burroughs
Title: Tarzan of the Apes
Author: Edgar Rice Burroughs 


Chapter V

The White Ape


Tenderly Kala nursed her little waif, wondering silently why it did not
gain strength and agility as did the little apes of other mothers.  It
was nearly a year from the time the little fellow came into her
possession before he would walk alone, and as for climbing--my, but how
stupid he was!

Kala sometimes talked with the older females about her young hopeful,
but none of them could understand how a child could be so slow and
backward in learning to care for itself.  Why, it could not even find
food alone, and more than twelve moons had passed since Kala had come
upon it.

Had they known that the child had seen thirteen moons before it had
come into Kala's possession they would have considered its case as
absolutely hopeless, for the little apes of their own tribe were as far
advanced in two or three moons as was this little stranger after
twenty-five.

Tublat, Kala's husband, was sorely vexed, and but for the female's
careful watching would have put the child out of the way.

"He will never be a great ape," he argued.  "Always will you have to
carry him and protect him.  What good will he be to the tribe?  None;
only a burden.

"Let us leave him quietly sleeping among the tall grasses, that you may
bear other and stronger apes to guard us in our old age."

"Never, Broken Nose," replied Kala.  "If I must carry him forever, so
be it."

And then Tublat went to Kerchak to urge him to use his authority with
Kala, and force her to give up little Tarzan, which was the name they
had given to the tiny Lord Greystoke, and which meant "White-Skin."

But when Kerchak spoke to her about it Kala threatened to run away from
the tribe if they did not leave her in peace with the child; and as
this is one of the inalienable rights of the jungle folk, if they be
dissatisfied among their own people, they bothered her no more, for
Kala was a fine clean-limbed young female, and they did not wish to
lose her.

As Tarzan grew he made more rapid strides, so that by the time he was
ten years old he was an excellent climber, and on the ground could do
many wonderful things which were beyond the powers of his little
brothers and sisters.

In many ways did he differ from them, and they often marveled at his
superior cunning, but in strength and size he was deficient; for at ten
the great anthropoids were fully grown, some of them towering over six
feet in height, while little Tarzan was still but a half-grown boy.

Yet such a boy!

From early childhood he had used his hands to swing from branch to
branch after the manner of his giant mother, and as he grew older he
spent hour upon hour daily speeding through the tree tops with his
brothers and sisters.

He could spring twenty feet across space at the dizzy heights of the
forest top, and grasp with unerring precision, and without apparent
jar, a limb waving wildly in the path of an approaching tornado.

He could drop twenty feet at a stretch from limb to limb in rapid
descent to the ground, or he could gain the utmost pinnacle of the
loftiest tropical giant with the ease and swiftness of a squirrel.

Though but ten years old he was fully as strong as the average man of
thirty, and far more agile than the most practiced athlete ever
becomes.  And day by day his strength was increasing.

His life among these fierce apes had been happy; for his recollection
held no other life, nor did he know that there existed within the
universe aught else than his little forest and the wild jungle animals
with which he was familiar.

He was nearly ten before he commenced to realize that a great
difference existed between himself and his fellows.  His little body,
burned brown by exposure, suddenly caused him feelings of intense
shame, for he realized that it was entirely hairless, like some low
snake, or other reptile.

He attempted to obviate this by plastering himself from head to foot
with mud, but this dried and fell off.  Besides it felt so
uncomfortable that he quickly decided that he preferred the shame to
the discomfort.

In the higher land which his tribe frequented was a little lake, and it
was here that Tarzan first saw his face in the clear, still waters of
its bosom.

It was on a sultry day of the dry season that he and one of his cousins
had gone down to the bank to drink.  As they leaned over, both little
faces were mirrored on the placid pool; the fierce and terrible
features of the ape beside those of the aristocratic scion of an old
English house.

Tarzan was appalled.  It had been bad enough to be hairless, but to own
such a countenance!  He wondered that the other apes could look at him
at all.

That tiny slit of a mouth and those puny white teeth!  How they looked
beside the mighty lips and powerful fangs of his more fortunate
brothers!

And the little pinched nose of his; so thin was it that it looked half
starved.  He turned red as he compared it with the beautiful broad
nostrils of his companion.  Such a generous nose!  Why it spread half
across his face!  It certainly must be fine to be so handsome, thought
poor little Tarzan.

But when he saw his own eyes; ah, that was the final blow--a brown
spot, a gray circle and then blank whiteness!  Frightful! not even the
snakes had such hideous eyes as he.

So intent was he upon this personal appraisement of his features that
he did not hear the parting of the tall grass behind him as a great
body pushed itself stealthily through the jungle; nor did his
companion, the ape, hear either, for he was drinking and the noise of
his sucking lips and gurgles of satisfaction drowned the quiet approach
of the intruder.

Not thirty paces behind the two she crouched--Sabor, the huge
lioness--lashing her tail.  Cautiously she moved a great padded paw
forward, noiselessly placing it before she lifted the next.  Thus she
advanced; her belly low, almost touching the surface of the ground--a
great cat preparing to spring upon its prey.

Now she was within ten feet of the two unsuspecting little
playfellows--carefully she drew her hind feet well up beneath her body,
the great muscles rolling under the beautiful skin.

So low she was crouching now that she seemed flattened to the earth
except for the upward bend of the glossy back as it gathered for the
spring.

No longer the tail lashed--quiet and straight behind her it lay.

An instant she paused thus, as though turned to stone, and then, with
an awful scream, she sprang.

Sabor, the lioness, was a wise hunter.  To one less wise the wild alarm
of her fierce cry as she sprang would have seemed a foolish thing, for
could she not more surely have fallen upon her victims had she but
quietly leaped without that loud shriek?

But Sabor knew well the wondrous quickness of the jungle folk and their
almost unbelievable powers of hearing.  To them the sudden scraping of
one blade of grass across another was as effectual a warning as her
loudest cry, and Sabor knew that she could not make that mighty leap
without a little noise.

Her wild scream was not a warning.  It was voiced to freeze her poor
victims in a paralysis of terror for the tiny fraction of an instant
which would suffice for her mighty claws to sink into their soft flesh
and hold them beyond hope of escape.

So far as the ape was concerned, Sabor reasoned correctly.  The little
fellow crouched trembling just an instant, but that instant was quite
long enough to prove his undoing.

Not so, however, with Tarzan, the man-child.  His life amidst the
dangers of the jungle had taught him to meet emergencies with
self-confidence, and his higher intelligence resulted in a quickness of
mental action far beyond the powers of the apes.

So the scream of Sabor, the lioness, galvanized the brain and muscles
of little Tarzan into instant action.

Before him lay the deep waters of the little lake, behind him certain
death; a cruel death beneath tearing claws and rending fangs.

Tarzan had always hated water except as a medium for quenching his
thirst.  He hated it because he connected it with the chill and
discomfort of the torrential rains, and he feared it for the thunder
and lightning and wind which accompanied them.

The deep waters of the lake he had been taught by his wild mother to
avoid, and further, had he not seen little Neeta sink beneath its quiet
surface only a few short weeks before never to return to the tribe?

But of the two evils his quick mind chose the lesser ere the first note
of Sabor's scream had scarce broken the quiet of the jungle, and before
the great beast had covered half her leap Tarzan felt the chill waters
close above his head.

He could not swim, and the water was very deep; but still he lost no
particle of that self-confidence and resourcefulness which were the
badges of his superior being.

Rapidly he moved his hands and feet in an attempt to scramble upward,
and, possibly more by chance than design, he fell into the stroke that
a dog uses when swimming, so that within a few seconds his nose was
above water and he found that he could keep it there by continuing his
strokes, and also make progress through the water.

He was much surprised and pleased with this new acquirement which had
been so suddenly thrust upon him, but he had no time for thinking much
upon it.

He was now swimming parallel to the bank and there he saw the cruel
beast that would have seized him crouching upon the still form of his
little playmate.

The lioness was intently watching Tarzan, evidently expecting him to
return to shore, but this the boy had no intention of doing.

Instead he raised his voice in the call of distress common to his
tribe, adding to it the warning which would prevent would-be rescuers
from running into the clutches of Sabor.

Almost immediately there came an answer from the distance, and
presently forty or fifty great apes swung rapidly and majestically
through the trees toward the scene of tragedy.

In the lead was Kala, for she had recognized the tones of her best
beloved, and with her was the mother of the little ape who lay dead
beneath cruel Sabor.

Though more powerful and better equipped for fighting than the apes,
the lioness had no desire to meet these enraged adults, and with a
snarl of hatred she sprang quickly into the brush and disappeared.

Tarzan now swam to shore and clambered quickly upon dry land.  The
feeling of freshness and exhilaration which the cool waters had
imparted to him, filled his little being with grateful surprise, and
ever after he lost no opportunity to take a daily plunge in lake or
stream or ocean when it was possible to do so.

For a long time Kala could not accustom herself to the sight; for
though her people could swim when forced to it, they did not like to
enter water, and never did so voluntarily.

The adventure with the lioness gave Tarzan food for pleasurable
memories, for it was such affairs which broke the monotony of his daily
life--otherwise but a dull round of searching for food, eating, and
sleeping.

The tribe to which he belonged roamed a tract extending, roughly,
twenty-five miles along the seacoast and some fifty miles inland.  This
they traversed almost continually, occasionally remaining for months in
one locality; but as they moved through the trees with great speed they
often covered the territory in a very few days.

Much depended upon food supply, climatic conditions, and the prevalence
of animals of the more dangerous species; though Kerchak often led them
on long marches for no other reason than that he had tired of remaining
in the same place.

At night they slept where darkness overtook them, lying upon the
ground, and sometimes covering their heads, and more seldom their
bodies, with the great leaves of the elephant's ear.  Two or three
might lie cuddled in each other's arms for additional warmth if the
night were chill, and thus Tarzan had slept in Kala's arms nightly for
all these years.

That the huge, fierce brute loved this child of another race is beyond
question, and he, too, gave to the great, hairy beast all the affection
that would have belonged to his fair young mother had she lived.

When he was disobedient she cuffed him, it is true, but she was never
cruel to him, and was more often caressing him than chastising him.

Tublat, her mate, always hated Tarzan, and on several occasions had
come near ending his youthful career.

Tarzan on his part never lost an opportunity to show that he fully
reciprocated his foster father's sentiments, and whenever he could
safely annoy him or make faces at him or hurl insults upon him from the
safety of his mother's arms, or the slender branches of the higher
trees, he did so.

His superior intelligence and cunning permitted him to invent a
thousand diabolical tricks to add to the burdens of Tublat's life.

Early in his boyhood he had learned to form ropes by twisting and tying
long grasses together, and with these he was forever tripping Tublat or
attempting to hang him from some overhanging branch.

By constant playing and experimenting with these he learned to tie rude
knots, and make sliding nooses; and with these he and the younger apes
amused themselves.  What Tarzan did they tried to do also, but he alone
originated and became proficient.

One day while playing thus Tarzan had thrown his rope at one of his
fleeing companions, retaining the other end in his grasp.  By accident
the noose fell squarely about the running ape's neck, bringing him to a
sudden and surprising halt.

Ah, here was a new game, a fine game, thought Tarzan, and immediately
he attempted to repeat the trick.  And thus, by painstaking and
continued practice, he learned the art of roping.

Now, indeed, was the life of Tublat a living nightmare.  In sleep, upon
the march, night or day, he never knew when that quiet noose would slip
about his neck and nearly choke the life out of him.

Kala punished, Tublat swore dire vengeance, and old Kerchak took notice
and warned and threatened; but all to no avail.

Tarzan defied them all, and the thin, strong noose continued to settle
about Tublat's neck whenever he least expected it.

The other apes derived unlimited amusement from Tublat's discomfiture,
for Broken Nose was a disagreeable old fellow, whom no one liked,
anyway.

In Tarzan's clever little mind many thoughts revolved, and back of
these was his divine power of reason.

If he could catch his fellow apes with his long arm of many grasses,
why not Sabor, the lioness?

It was the germ of a thought, which, however, was destined to mull
around in his conscious and subconscious mind until it resulted in
magnificent achievement.

But that came in later years.